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Home / Fishing / Articles



Exploding The Myths With Some Truths About Lure Color

By: Greg Vinall

The day had been slow. For the fifth or sixth time I steered the canoe close to a rocky dropoff on the Hopkins Estuary and enjoyed the gentle drift afforded by a light breeze that was running parallel to the shore. It wasn't the best day for fishing, in fact I hadn't raised any piscatorial interest at all. It was bright and warm with plenty of boating traffic to create a disturbance in what is essentially a fairly small waterway. Perhaps if I'd been prepared to soak baits quietly in a deeper hole or under the shade of some overhanging vegetation I might have done better, but that would have been giving in. Instead I persisted in flicking small crankbaits at any rocky structure I could find along the steep foreshore.

I started trying to convince myself that I was happy just to be out here enjoying nature, the warm sun on my back and the song of a whistling kite overhead. Without really thinking about it I made yet another lure change, this time from a pink and yellow pattern with a black spot amidships to a small black deep diver with just a hint of silver scales. I deftly flicked

the little lure into a small pocket behind a large rock, gave it a second or two to sink, then cranked over the little Chronarch baitcaster, gave the lure a couple of gentle twitches and idly began my retrieve. Whack! Two turns of the handle was all I managed before the lure was nailed by a stud black bream that proceeded to go berserk in only two feet of water.

No real thought had gone into that lure selection. In fact, there had been no sign of fish for so long that I barely thought at all, I had just made yet another random lure change. Yet, I immediately attributed my change of fortune to having stumbled across the particular color combination that the fickle bream happened to be hammering on that day. But was it really? Or was it the rattle in the lure that did the trick? Or perhaps it was merely the sound and vibration afforded by the size, shape and action of the lure. Maybe I just happened to lob a lure right on top of the unfortunate fish, which was in a foul mood and responded angrily to being so rudely disturbed.

The truth about color
Like most anglers, I like to have plenty of color options in the tackle box from which I make my choices on the day. Also like most anglers, I probably put far more emphasis on the influence of lure color and the intricacies of lure finish than logic should allow. As one old-timer once told me "…them finishes are designed to catch fishermen, not fish".
Lure color definitely plays a role in eliciting strikes from time to time, but let's look at the issue more objectively. I know that plenty of experienced anglers will want to take me to task on what I'm about to say, so for the purposes of the next few sections I'm going to immerse myself only in undisputable scientific fact and stay away from the subjective or anecdotal. Bear with the technical talk, I'll make it as simple as I can, and at the end we'll get to the really interesting stuff - how all this should influence our choice of lure color.

Let's begin our analysis with a (very) rudimentary physics lesson. Most of us would be aware that white light is made up of many different colored lights (wavelengths). When light strikes an object some wavelengths are absorbed and others are reflected. It is those wavelengths that are reflected from the object that reach our eyes and are interpreted by our brain as color. Objects that appear white to us are effective at reflecting all of the visible wavelengths of light
(Figure 1).

Figure 1: Diagram showing the various wavelengths of light and those that form the visible spectrum.

Conversely, objects that absorb all wavelengths and don't reflect any appear to us to be black. Between the extremes, most objects absorb some wavelengths and reflect others and appear to our eyes to be colored. The color we see is the combination of all reflected wavelengths. For example, when white light strikes a leaf, most of the visible wavelengths of light are absorbed, but the green ones are reflected, making the leaf appear green (Figure 2).

Figure 2: Some wavelengths are absorbed off objects we see, others are reflected. It is the reflected wavelengths that are interpreted by our eyes as color.

Color visibility at depth
When white light passes through pure water the various wavelengths are absorbed at different rates. The long wavelengths (reds) are readily absorbed by the water molecules while the shorter ones (violets) are absorbed at a slower rate and penetrate further into the water. Put simply, what this means to Joe Average who likes to spend his weekends trolling or casting lures is that some lure colors simply aren't visible to a fish that is deeper in the water column.

The longer wavelengths (reds and oranges) are absorbed nearest the surface, so at depth there aren't any of these wavelengths to reflect off the lure. All other wavelengths are absorbed, so that color on the lure appears to the fish to be black, or at best may appear weakly colored by other wavelengths. As the lure dives further down in the water column yellow wavelengths start to disappear, then green. Blue, indigo and violet penetrate the deepest, but even these peter out eventually.
When we start to investigate the depths at which these changes take place things get a little more hazy (excuse the pun). Figure 3 shows the depths to which various wavelengths of light penetrate crystal clear ocean waters at noon on a calm summers day. It also shows how this would affect a multi-colored lure travelling at these depths.

Figure 3: Depths to which visible wavelengths penetrate ocean waters, and the impact that wavelength absorption has on lures trolled at various depths.

In other words, if you were trolling a red lure at a depth of 15 meters in the open ocean it would appear to a fish at that depth to be a dark color. At first glance this doesn't seem like a big deal. After all, most lures won't get to anywhere near those depths without the use of paravanes, lead core lines or downriggers.

Ponder on it a bit longer and you'll see just how significant these figures are! If you refer to what I said about the above figure there were 2 qualifiers in my statement. First, the figure refers to crystal clear ocean water and second it refers to the time of day and year - noon in summer. The figure above gives the absolute best-case scenario, but in the real world this doesn't really help angler because we mostly don't fish crystal clear ocean waters and we often don't fish at noon in summer (for many species that's the WORST time to fish). That means the color of our lures appear to be different to the fish depending on the time of day we fish and the waters we fish in.

Water clarity and color
In deep ocean waters there are a couple of prime reasons why light penetrates so well - clarity and color.

Clarity (the opposite of turbidity) refers to the lack of suspended or particulate material such as silt, algal cells and similar in the water. These particles have the effect of causing light to scatter, being reflected off in all directions, reducing the penetration of all wavelengths, but especially the longer ones (like red). In open oceans the water is generally (but not always) very clear, hence light penetrates to far greater depths than near shore or inland waters. In these waters things like pollution, erosion, algal growth and the like cause a reduction in clarity, with significant reductions in the penetration of light. These reductions in light penetration begin to happen even before the turbidity becomes visible to the naked eye (Figure 4).

Figure 4: Visible wavelengths are absorbed more rapidly and the perceived color of lures occurs at shallower depths if the water is not clear.

Color (of water, not lures) refers to a characteristic caused by dissolved materials, especially organic acids from decaying terrestrial or aquatic vegetation. A good analogy is a cup of tea - it has good clarity, but is strongly colored. Color reduces light penetration by absorbing some wavelengths more than others. Interestingly it's the blues and greens that are most affected (Figure 5). Where I live there are lakes and rivers that are so highly colored by natural organic acids that the blue/green wavelengths won't penetrate more than a centimetre or two (1/2 to 1"). Yet the water in these lakes is as clear and pure as anywhere in the face of the planet and many of them are as close to pristine as you can get, save a few trophy brown trout (an introduced species here).

Figure 5: Water that is colored by organic material absorbs the blue wavelengths more readily, causing blues and purples to disappear from sight.

Seasonal cycles
To make matters even more complicated, seasonal cycles in water color and turbidity also occur in many lakes and a number of different cycles are possible. Figure 6 shows the cycle in a lake that suffers nutrient pollution that results in significant algal blooms. Light penetration is reduced in summer by increasing concentrations of algae, with the red, orange and yellow most severely affected. Algal blooms peak in autumn, with significant reduction in the penetration of all wavelengths, but especially red, orange and yellow. In winter the algae die off and the water clears. Light penetration is actually better in winter, despite the lower intensity and the reduced angle of the sun. In spring there is an influx of silt from floods, causing a reduction in the penetration of all wavelengths, but especially the blue ones.

Figure 6: A seasonal cycle in turbidity affects light penetration and means that the depth at which colors become less visible is constantly changing.

Time of day/year
I know it seems unlikely that your lure could appear to be a different color depending on the time of day or the month of the year, but it's a reality. To put the idea into a terrestrial context, think about how we see color on a clear day in the afternoon compared with a cloudy day at dusk. On a clear day with the sun overhead there are fewer gas molecules and airborne particles to scatter the short (blue) wavelengths, so the sky appears blue. Towards dusk the light travels through a lot more gas and airborne particles, so lots of the blue wavelengths get scattered and don't reach our eyes. Red and orange wavelengths eventually give way to indigos and violets as the sun sets. The many changing hues of the sky also change the color of other objects we see in the colored light.

The aquatic environment not only emulates what happens above the waterline, but magnifies the effect. So the loss of blue wavelengths at each end of the day is much greater underwater and starts earlier in the day than it does above water. Remember that these are the ones that penetrate deepest, so the period over which colors are visible deep in the water are much shorter than they are at the surface.

Figure 7: The angle at which light strikes the water surface alters the depth to which colors are visible.

Figure 7 shows how light penetration is affected by the angle of the sun above the water. Note that all the wavelengths penetrate the water to the same extent, but as the light comes in at an angle it doesn't reach the same depth.

In a similar way the sun is more directly overhead so fewer of the short wavelengths get scattered and on land we tend to get brighter and more intense light (and the really short wavelengths get through, hence we get sunburnt!). In winter we get more subdued light, partly because the light travels a greater distance through the atmosphere and partly because clouds add water molecules to the atmosphere to further filter out light. This means that many wavelengths don't penetrate as deeply into the water during winter, so a lure travelling at a depth of 5m in winter could appear to be a different color than in summer, all other things being equal. This effect is much more pronounced the further you travel from the equator.

Other influences
Any ripple on the surface of a water body has the effect of increasing light scatter and hence reduces light penetration into the water. Pollution, both air and water, can also influence light penetration and hence the color that lures appear underwater.

Putting it all together - Tips for lure color selection
So now we get to where this article has been leading - choosing lure color for maximum benefit. When you start combining the effect of all of the above influences you can see that it is most unlikely that we'll be fishing under conditions that are perfect for light penetration into the water. More often than not, some or all of the above factors will come into play and will alter how the fish see lure color. So how do we choose the best lure color for a particular set of conditions?

Well, here are a few tips to consider:
1. Use dark colors at night. This may seem strange to the novice, but from experience it definitely works. When you think about it, all colors appear to us at night to be black or shades of dark grey. Usually when we see something at night it's a shadow, and dark colors give the best shadow. Also, fish usually attack lures from below at night and during low light conditions. This is because it maximises the benefit of any limited light available. Under these conditions a dark lure throws the best silhouette and is therefore the most visible. Black, dark blue and purple are good choices at this time of day.

2. During winter or periods when there is lots of particulate material in the water (such as silt or algae), reds and oranges are the first colors to be filtered out. Under these conditions, lures with plenty of yellow, green or blue appear the most colorful below the surface. Fluorescent yellow and greens are also worth a shot.

3. Red, orange, yellow, silver and metallic colors are most intense during bright summer days in clear, shallow water. Having said that, metallic finishes have some benefits at depth because they have a tendency to create flash, even under relatively low light conditions. Mind you, all colors are visible under these bright conditions and if the fish are actively feeding on baitfish that are blue in color, then that's the color to use.

4. Color choice is a moot point if you are deep trolling using a downrigger or paravane, particularly under low light conditions or if the water is colored or dirty. The most important factors under these conditions are lure size, shape and action.

5. When fishing topwater lures, color is far less important than size, shape and action. A fish coming up below a surface or shallow running lure has the light behind it, making the lure appear grey or black. Try it for yourself - hold a fluorescent lure up to the sun and view it from below. Black and dark colors remain the best for surface lures because they throw a great silhouette.

6. Red and orange lures come into their own in tannin stained waters, as do fluorescent hues.

My strategy
Like I said, these comments are likely to upset a few hardened anglers who are certain beyond doubt that their fluorescent orange lure is the best color to troll for trout at a depth of 30 metres during winter in their home lake. The reality is often that the size, shape, action or noise made by the lure play a much more important role in eliciting a strike. Don't underestimate angler confidence either - we will tend to persevere more and try harder with a lure we have had success with in the past.

My philosophy on lure selection is simple: choose a lure based on the size of local baitfish, the depth at which your quarry is to be found and the action most likely to produce results. Only then think about color, and don't get too hung up on the subject. The exception: fishing in clear, shallow water, especially if the fish are feeding predominantly on baitfish of a particular color.

As I said at the beginning, too often a lure will be selected on color, when the chosen color is often not visible to fish anyway.

Oh, and by the way, I have deliberately overlooked a key topic here - the use of color combinations, patterns and contrast to increase hook-up rates. This will be the focus of a future article!

About the author:
Dr Greg Vinall is a professional limnologist (aquatic scientist). His company, 'The Luresmith', is dedicated to helping anglers make and use their own lures.


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